SCULPTURE MAGAZINE
Boston Sculptures Gallery
By Marty Carlock, January/February, 2010
Her work has always combined a close and loving attention to nature in its infinite variations with a mastery of certain contemporary technologies.
Galston’s first experiments with light, filtered or indirect, have morphed into a frank and direct use of LED’s, while her resin casting here produces flowers that on close inspection prove to be white-oak acorn caps.Earlier LED gardens sprouted seed pods cast from resin, a somewhat freer and more engaging form.
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