NEW YORK TIMES
Searing Memories, Etched in Art; The Imprint of Sept. 11 Emerges, Sometimes Subtly
by Randal C. Archibold, April 1, 2012
“The previous work was very quite” Mr. Mulhern said during a break at his temporary studio in Long Island City, Queens. “This is almost severe. I can’t believe it is not a response”
All around him are the large canvases of his art, filled with the seemingly haphazard but intricate black, gray, silver and sepia strokes and blotches that define his work. Abstract Expressionism seems a fitting style to translate the chaos of the event, of crawling through the soot and muck to find his way out of his apartment and staggering through the moonscape that his neighborhood had become.
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