SCULPTURE
John Grade at the Davidson Galleries
by Matthew Kangas, September 2004, Vol. 23, No. 7
Grade’s world fetishizes the natural into the manmade and vice versa; industrial surfaces are rendered uncannily natural-looking.
John Grade’s fourth solo show in Seattle since 1998 shifted away from the site-specific installation work to autonomous unitary objects. The results were varied and impressive.
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