From Art in America
by Edward Leffingwell
May 2004
These works seem to float above the surface of the wall. challenging the eye to follow the logic of its architectonic entanglements.
Gudrun Mertes-Frady’s commitment to the material pleasure of paint and her expanding vocabulary of ormal interests have recently resulted in a remarkable change from the staurated swirls and shingled grids that characterize her work of the mid- to late 1990’s.
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