PUBLIC ART REVIEW
Discovering the Unknown
by Daniel Tucker, Spring/Summer 2015
“My early drawings and paintings were about line, language, and movement. What was exciting to me when I first discovered sculpting was that those lines became physical.”
Janet Echelman is an artist who defies categorization. Her work is at the intersection of fine art, ancient craft, cutting-edge technology, architecture, and public art. Starting out, she was rejected by every art school she applied to. Today she has received a Guggenheim Fellowship, the Aspen Institute’s Henry Crown Fellowship, and a Harvard University Loeb Fellowship.
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